Spirituality and Music in Ancient Indian Tradition
Just like Swara, or tone, Tala, or beat, also traces its roots to the ancient time of the Vedas, some of the most sacred texts of Hinduism, or Sanatana Dharma. The Samaveda, one of the four main Vedas of Hinduism, is perhaps the earliest form of organized music in all of history. It comprises a collection of melodies and chants, with “Sama” meaning “melody” and “Veda” meaning “knowledge.” Often referred to as the “Book of Song,” “The Veda of Chants,” or even the “Yoga of Song,” the Samaveda essentially contains the mantras of the Rig Veda set to music, highlighting the deep connection between spirituality and music in ancient Indian tradition.
The Samaveda is divided into two parts, one focusing on musical meter and the other on rituals. The musically imbued incantations are directly linked to Yajna, or the ritual practices of early Hinduism. Though the Rigveda does exhibit some musical meter, the Samaveda expounds on this in much greater detail. The 1549 verses of the Samaveda are essentially a musical rendering of selected mantras from Rig Veda. In other words, the Samaveda took words from the Rig Veda and provided them with musical substance, enriching the spiritual recitations with musical depth.
The hymns of Samaveda, when sung in the appropriate manner, enable an understanding of universal truths. The oral tradition of passing down the Vedas relied on this systematic musical structure and meter, which facilitated memorization and successful transmission of this early knowledge from generation to generation.
The musical patterns in Samaveda are self-realized from the subtle vibrations of the cosmos. The mantras of the Samaveda are centered on worship and devotion, and it is through this devotion, expressed by musical chanting in rhythmic cycles, that one attains the Supreme. Essentially, the Samaveda aids in spiritual evolution through music.
The Samaveda also included a system of hand signals (chironomy) to set the speed of the recitals. These are known as jatis (finger counting of beats). These jatis, along with the mudras (finger and palm postures), form the basis of the Tala system. This evolution of music was eventually compiled in the Vedas and other early texts, including the Naradiya Shiksha, which focuses on musical notes and the pronunciation of the words in the Vedic language, and the Rikpratisakhya, an even earlier treatise on Indian music theory. The most well-known ancient text related to music is the Natya Shastra, dating back to the early years of the common era (CE). This text serves as the foundation of Hindu India’s classical styles of dance music, from which the Hindustani and Carnatic classical music traditions have descended.
Percussion Sounds and Instruments
As for percussion sounds and instruments, these have mythological significance dating back to the dawn of creation. The two headed drum Damaru is associated with Lord Shiva and is said to manifest the primordial vibrations of the universe and all of creation, represented by the chant “Aum”. The two sides of the drum are bound together, symbolizing the balance required between the dualities of nature. This is no better manifested than in the worship of Shiva and Shakti, whose union represents the dual forces that drive existence.
The earliest drums used in Hindu India were two-sided, including the modern day mridangam, with the advent of dual drums, one bass and one treble, occurring later. The common belief is that tabla was “invented” during Mughal rule by splitting the single drum Pakhawaj into the two-set tabla. Other historians credit the tabla to a gradual evolution from progenitor drum sets including the pushkara, which are depicted in temple carvings dating back to the 6th century, and alingya. Going back even further, we find that discussions on how to make and play such dual percussion instrument sets, including ingredients to make the syhahi (the black paste used on modern day tablas and similar instruments) are documented in the Natya Shastra, dating to the first centuries common era (CE).
When played together, the baya and daya achieve the full resonance of the sounds of the bass and treble in a table drum set.
When the tabla is played with this background of understanding, it is easy to see how the dual set beautifully represents the union of Shiva and Shakti. The baya, or bass drum, embodies Shiva, while the daya, or treble drum, embodies Shakti. Individually, both drums create vibrations, but only when played together do they achieve the desired full resonance. In this way, tabla riyaaz (practice) becomes a saadhna (spiritual practice), generating the vibrations of the supreme consciousness. Consequently, the sound of the tabla can have a similarly profound effect on the listener. The rhythms and various percussive sounds create an internal resonance that can simultaneously excite, calm, and unite the audience in one sublime experience.
Bibliography/References
- Robert S. Gottlieb (1993). Solo Tabla Drumming of North India. Motilal Banarsidass. pp. 1–3. ISBN 978-81-208-1093-8. ttps://books.google.com/books?id=f-xk7L_DNcUC&pg=PA1#v=onepage&q&f=false. (Referenced From Wikipedia: https://en.wikipedia.org/wiki/Tabla
- Urmi Vaz. Indian Mythology & Music: Mythological references of musical instruments and vocal traditions in ancient Indian texts. Paper I, PG Diploma in Comparative Mythology, 2013-14. Dept. of Sanskrit, University of Mumbai.
- Swatantra Sharma, M.A. (Vocal Music, English Lit.), D. Phil. Fundamentals of Indian Music. Department of Music, Allahabad University, Allahabad. Pratibha Prakashan, Delhi 110007.
- Chapter 33 – On Covered Instruments (avanaddha). Natyashastra (English) by Bharata-muni. 1951. ISBN-13: 9789385005831. https://www.wisdomlib.org/hinduism/book/the-natyashastra/d/doc210231.html
- https://vedicoriginofmusic.in/taal/ sreenivasarao’s blogs
- https://www.quora.com/How-does-Sama-Veda-put-the-hymns-of-Rig-Veda-in-a-musical-measure
- https://www.linkedin.com/pulse/quick-summary-sama-veda-radhika-gopinatha-dasa/
- Story and Philosophies Behind Lord Shiva’s Damaru. https://youtu.be/r-R6xx8CXB4?si=IjephRoYtqUeQaiQ